Guangling San on the guqin
Li Xiangting plays Guangling San, the fierce old piece said to have died with Ji Kang, in the concert version he performs.
Daoism & Internal Arts · Guqin
One of the most authoritative living players of the guqin, the seven-stringed zither of the Chinese literati, played for three thousand years less as performance than as self-cultivation and as a way of tuning oneself to nature. He taught for decades at the Central Conservatory of Music in Beijing, and China named him a representative inheritor of the guqin as intangible cultural heritage.
Chinese guqin player, born in Liaoyuan, Jilin, in 1940, and one of the most authoritative living voices on the seven-stringed zither. The guqin is the contemplative instrument of the Chinese literati, played for three thousand years less as performance than as self-cultivation and as a way of tuning oneself to nature, and its aesthetics are steeped in Daoist thought without belonging to Daoist liturgy. He taught for decades in the traditional music department of the Central Conservatory of Music in Beijing and was a visiting professor at the University of Cambridge. In 2009 the Ministry of Culture named him a representative inheritor of the guqin as national intangible cultural heritage. He chairs the China Guqin Research Association and is honorary president of the China Qin Association, and is known above all for his improvisation, a practice the tradition had almost lost.
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Short introductions and longer conversations, to hear this artist in their own words.
Li Xiangting plays Guangling San, the fierce old piece said to have died with Ji Kang, in the concert version he performs.
Seven minutes of solo guqin: Yi Guren, the piece the literati played when they thought of someone far away.
Li Xiangting plays Yangguan Sandie, the old parting song, straight through on the seven-stringed guqin before a small live audience.
Embodied Daoist practice: internal alchemy, nei gong, qigong and meditation, cultivating energy, breath and stillness through the body.
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