Manikay: Gathering Together on the Sand
He explains why the sand is where knowledge is shared, and what a song cycle carries that words alone do not.
The Path of Interconnectedness
Daniel Wilfred is a Wägilak man from Ngukurr in south-east Arnhem Land, born in Nhulunbuy. He holds a ceremonial role among the Wägilak, singing manikay, the public song cycles that carry ancestral knowledge and connection to Country, and playing the bilma, or clapsticks, at ceremonies around Ngukurr, Numbulwar and Groote Eylandt. He learned from his Elders, among them the songman Roy Ashley, and he performs these songs together with his relatives David and Benjamin Wilfred for audiences in Australia and overseas.
Daniel Wilfred is a Wägilak man from Ngukurr in south-east Arnhem Land, born in Nhulunbuy. He holds a ceremonial role among the Wägilak, singing manikay, the public song cycles that carry ancestral knowledge and connection to Country, and playing the bilma, or clapsticks, at ceremonies around Ngukurr, Numbulwar and Groote Eylandt. He learned from his Elders, among them the songman Roy Ashley, and he performs these songs together with his relatives David and Benjamin Wilfred for audiences in Australia and overseas.
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Short introductions and longer conversations, to hear this artist in their own words.
He explains why the sand is where knowledge is shared, and what a song cycle carries that words alone do not.
A piece from the Hand to Earth project, where manikay meets improvised music, with his brother David Wilfred on yidaki and Peter Knight.
Manikay sung solo with bilma, the clapsticks, for the Australian Art Orchestra's spotlight series.
The recognition that no self, body or living thing exists in isolation, and that healing, for a person or a planet, begins by remembering our belonging to the whole.
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